A post-plague Italy dream at Gallerie D’Italia’s New Milan exhibition.

while Italy and other countries The world is trying to look forward to the future after the epidemic. A new exhibition in Milan shares a message of optimism and recovery by delving into the past.

Canaletto’s Regatta at the Grand Canal It depicts Venice’s main waterway, lined with lavishly decorated boats and stuffing viewers’ cheeks with cheekbones along the pavement. It is the scene of the annual regatta that takes place during Carnival celebrations in the Lagoon each February. Although Canaletto’s paintings convey the past. But it is a painful reminder that these spectacular carnivals have been canceled or held almost two years in a row now amid the coronavirus emergency. of the Gallerie d’Italia’s Grand Tour: Italy’s Dream from Venice to Pompeii The show travels down the peninsula like a wealthy traveler from the 18th century in celebration of Italy’s architectural and natural glory, demonstrating a desire for recovery and recovery after the epidemic.

italian dream

at the Gallerie d’Italia’s Grand Tour: Italy’s Dream from Venice to Pompeii An exhibition of approximately 130 paintings and objects from the gallery’s collection. and on loan from many famous galleries around the world. It tells the story of the educational route and the construction of the route that travelers in the 17th, 18th and 19th centuries had to travel through Italy. It pays homage to the wonders of the country discovered and appreciated during the grand tours and travelers who create a magnificent perception of Italy. Through the different themes and themes of the artwork, visitors can understand how historic cities, archaeological sites and natural attractions have made a great impression on international visitors. And visitors take an allegorical journey to rediscover Italy.

The exhibitions are themed that highlight both the art form and the great visitor interest. Part of it focuses on views of the city and its ruins striving for precise detail and realistic representation. Thomas Patch’s View of Firenza from Bellosguardo It depicts the spread of Florence with glorious precision, while Giovanni Paolo Panini’s Charles of Bourbon Visits St. Peter’s Basilica Paying as much attention to architecture as with the beautiful costumes of the visiting followers In this part of the exhibition There is also a startling artwork by Michelangelo Barberi depicting the Roman Forum and St Peter’s Square using small mosaics. Small tiles are visible only when viewed closely.

ancient archaeological ruins Somewhere Pompeii and Herculeanum were discovered during that time. It is another obsession of Grand Tour travelers. The paintings in the exhibition show how artists and writers imagine and re-imagine the remains. by trying to capture the awe at the vestiges of this civilization’s pinnacle, in Hubert Robert’s excavation of ancient timesVisitors enter the dark vaulted building during the excavation and display ancient sculptures in torchlight, demonstrating the magic of the discovery.

Nature is also a source of awe. Especially exciting scenes such as waterfalls, harsh seas. or an erupting volcano Due to the rising artistic prosperity during this period The action of Vesuvius was therefore a highly sought after topic. One wall of the exhibition is a lava-filled erupting volcano, highlighted by strength and fury by two small shadow viewers in the foreground.

Memories of the journey of a lifetime

Most of the artwork on display at the exhibition was commissioned by the travelers themselves as souvenirs of Panini’s. look pregnant is a charming example of a intention A painting asking the client to bring together several classical buildings to form an imaginary setting. Here, Panini surrounds the Antonine Column with the Pantheon and other temples that do not exist in this layout in real life.

The exhibition also focuses on the protagonist himself, who evokes a beautiful and romantic portrait of Bel Paese. On one wall, nobles, artists, intellectuals and scholars stand indifferently against the backdrop of the dramatic ruins. Leaning one arm against an ancient statue claiming dominion, Pompeo Batoni was a famous portrait painter who immortalized brave explorers. He made sure to set the scene in his studio with a piece of scrap. In particular, the lions appeared in several paintings.

From bank to gallery

The exhibition is organized by the Italian bank Intesa Sanpaolo, which has a department dedicated to cultural endeavors. The galleries on display are rarely on a tourist’s radar. But it should be so. The building in Piazza della Scala in Milan is worthy of admiration in itself. Originally created for banks The majestic room retains traces of business activity with brass counters and wrought-iron clocks.

The Gallerie d’Italia has other locations in Naples and Vicenza and a collection of 30,000 works including 19th- and 20th-century Italian art such as the Canova statue on display in the Grand Tour exhibition and Martyrs of Saint Ursula by Caravaggio, located in the Naples Art Gallery. The collection also features Attic and Magna Graecia ceramics and Russian icons.

preparation for Grand Tour: Italy’s Dream from Venice to Pompeii The exhibition took place over a very challenging two-year period, according to Intesa Sanpaolo Progetto Cultura Cultura CEO Michele Coppola. For the bank of Intesa Sanpaolo, the exhibition is a key message that showcases the company’s commitment to the community. and the necessity of the private sector to promote arts and culture in society after the epidemic.

GRAND TOUR: An Italian Dream from Venice to Pompeii

19 November 2021 – 27 March 2022

Gallery d’Italia – Piazza Scala, Piazza della Scala 6, Milan

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